When yellow and blue make shades of green

My postcard from Vivien is a double delight  -  golden yellow on the front and an array of blues on the reverse.

So what's my meaning in the title of this post? Obvious! When one is lucky enough to receive a postcard from Vivien, you just know that everyone else will be a shade of green. Green with envy.

The front depicts some of the fields close to where Vivien lives. The bright gold is oil seed rape,  now grown abundantly in many parts of England during spring. In huge fields it's visually mind blowing.

On the reverse Vivien's used gouache.  Blue sky and a blue and turquoise sea, done from memory in a 'wish you were here'  right now kind of moment.

Thank you so much Vivien. I love both sides equally -
The fields remind me of my family home ........   and
The sea.... yes, me too, I'd love to be there right now...... !

A winter cliff walk with Bridget

Bridget Hunter, The Cliff Path near Ayr

This lovely moody card of a walk along the cliff path near Ayr arrived from Bridget.  My last card of the exchange.   I've had it a while, enjoying it, but it had to wait in the queue to be shown here.   Her paintings of the area make me want to visit.

She says that the view across to the island of Arran is always beautiful and that there is a 'great wee coffee shop'!   always a good thing :>)  I can feel the struggle of those trees to grow in their exposed position, stunted and gnarled by the winds.

Lovely loose marks and great use of colour, capturing the essence of a scene - typical of Bridget's work.

A lovely last card and well worth waiting for :>)

It's sad that the exchange is over for me now - but look forward to seeing the last arrivals for others.

A Moody and Changeable Day in Cornwall

I received this beautiful card from Vivien this week.
"Distant rain, the wet sand shining with pinks and mauves and layers of cloud"
Vivien has captured it perfectly with her watercolour washes overlaid with coloured pencil.
I really wish I could draw/paint coastal scenes more, and haven't been able to get out to the beach much this summer (due to our wet and cold weather) so it is a real treat to have this propped up in front of me ... enjoying and studying it all month.

Thanks Vivien!

Introducing Vivien Blackburn

sunset, Penwith, oil in sketchbook

I'm really looking forward to this postcard exchange with such a great group. Thank you for the invitation :>)

About me: I can't remember a time when I didn't draw - one of my earliest memories is, aged one, posting drawings (scribbles) to my father when he was in Gibraltar, looking for accomodation so that my mother and I could go out to join him.

In my youth I lived in some beautiful places including Cornwall, Malta and on the Moray Firth in the north of Scotland, so, though it may have scrambled my education a little, it almost certainly led to an early feeling for light and landscape.

I went to art college on leaving school, completed my Foundation Year, didn't continue on to the Diploma years - did a few different things - art was on a back burner - then married, had 2 daughters and didn't go back until they were at senior school. I then did my BA in Fine Art as a mature student. It's never too late :>)

This is some of my sketching, the first few are all Cornwall

Sam, evening, silver sea, watercolour/mixed media in sketchbook

Moorland Farm, Penwith, watercolour/mixed media in sketchbook

Lanyons Quoit, charcoal, in sketchbook

Someone commented earlier on about the clean neatness of Albrecht's sketchbook - mine are, I'm afraid, messy ones! I work in all sorts of media - oils, watercolours, lots of mixed media, charcoal, pastel, pencil, acrylic ..... etc etc etc- so loose oils may follow a detailed close up study of something in pencil in my books, followed by watercolour, mixed media, charcoal ,ink - anything goes.

Wild Day, Sennen Cove, oil


Approaching Rain, Mawgan Porth, charcoal and coloured pencil, in sketchbook

Charlestown, Cornwall, watercolour/mixed media, in sketchbook

I particularly like to paint or draw water - the Cornish coast has to be top of the list but canals, streams, rivers tool

Wild Day, Sennen Cove, pencil, in sketchbook analysing the movement of the waves

The Old Packhorse Bridge (very old), Aylestone Meadows, charcoal, in sketchbook

Frog Island, Leicester, in large A3 landscape sketchbook

I don't often do industrial landscapes. This is part of a series of sketches of local waterways that I intend to revisit.

Cardoon seedheads, in sketchbook, pencil

And .... sometimes it's nice to change scale and observe something closely. I found the spiky dry scales vs the fluffy insides of these cardoons fascinating to draw.

I unfortunately have arthritis and asthma. so my walking distance is limited but it is essential to keep moving so sketchercise is great as it will encourage me out walking, sketching and sharing the results :>)

I like to work plein air soaking up the atmosphere, feeling the wind. smelling the vegetation, getting the mood of the day and seeing the colours as the light changes - it is so much better than a photograph, fixing all this in my visual memory, the feelings, smells and memories come back when I look through old sketch books.

Well - my first postcard went out at the end of January so hopefully it's winging its way to Martin. And I'm really looking forward to the first one dropping through my door :>) and following the progress through the months.