Postcards From California

Receiving a card from Pat is always special, and i was doubly lucky to receive two!  The top image image shows Pat's walking trail in Orange.  I think Pat is particularly brilliant at depicting trees in graphite.  All those negative spaces and array of tones.  I always feel inspired to pick up my pencils after looking at her work!

On the reverse of the card is an image of Sam, Pat's cat.  The nice thing is, Sam looks just like my own cat, so it's particularly fun to have received this. Don't you just love the wacky positions cats can get into when they are grooming!




The second card depicts the beach near to where Pat lives. She says "I can watch the water forever and not get tired of seeing the colours change, the shapes transform and of course, the people."

I love this, it captures the beach and the weather and sea breeze perfectly.

 

Thank you Pat! 

 

 

Azure Seas off Australia

When I saw this sparkling card from Alison, I thought, Wow, do they have such turquoise seas in England?... but reading the other side I found that she'd done it from a sketch on her recent holiday on Lizard Island, part of the Great Barrier Reef!

It sounds quite idyllic, fringed by coral and with shallow waters so the colour of the sea changes constantly, not surprising that Alison sat and watched it for hours. I love the way she's allowed the watercolours to blend freely, suggesting so subtly 'things' under the surface and the movement and breaking of the waves.

Its a lovely, uplifting card that reminds me of a few perfect holidays at the coast where I've been lucky enough to occasionally experience such gorgeous sea colours.

I loved the Roald Dahl stamp too, in spite of the P.O. smudging their stamp of officialdom rather carelessly.

The coast near Porthgwarra

The sea at Porthgwarra, Cornwall
(mixed media)
Vivien Blackburn

Walks for sketching sometimes have to take second place to other commitments - particularly when a family member has been in hospital as has happened to Vivien recently.

This then is another of Vivien's experiments of sketching from her memories of a scene from a walk in Cornwall along the coast near Porthgwarra.

I thought I'd misread the spelling to start with - but checked it - and it's definitely Porthgwarra.  I wasn't sure where this was despite Vivien's description - so took a look at the map

Location of Porthgwarra Cove (see arrow)

It's where the arrow is on the map (click and open in a new tab to see a bigger image).  That's west of Porthcurno and south of Lands End.  The reason I was confused is that I'd forgotten that Lands End is not the most southerly point of the UK - it's the most westerly point - and is just off the north west corner of this map.

This is how the Sennen Cove website describes Porthgwarrow - and it's definitely a good place for a walk!

A superb, secluded Cornish Cove just under 3 miles southeast of Lands End. Porthgwarra is steeped in history and tradition - one time a busy fishing cove , now just one boat regularly works crab pots from here.
The cliff path leads away west towards Lands End (roughly 1.5 hours walk) , and east towards Porthcurno (45 minutes) - both very scenic and dramatic routes !

Vivien says she was trying to catch the movement and varying depths of the water - with the rocks half seen underwater.  She assures me that the sea around this part of Cornwall really is the colour she's painted it! :)

What I like about it is that look of translucency of the water - I'm more familiar with the water off the west coast of Scotland and it very much reminds me of seas I've seen there.  It's also got that sense of the swirling movement of the water in a cove which is so difficult to catch.

I'm told the art media used for the postcard included gouache, coloured pencils, tippex and a secret ingredient.  My lips are sealed!

Sennen Cove

A wonderfully moody, atmospheric card arrived from Vivien this month. I feel very priviliged to own this as it must have been drawn when she was on holiday with her family in Cornwall and even more as she describes Sennen Cove as one of her all time favourite places. Vivien has painted and drawn a whole series of studies of Sennen Cove on her blog capturing the changing light, colours and atmosphere so it's amazing to have one of these.

I feel, even without reading Vivien's words on the card, that her love of this part of the world really shines through in this image. It's stormy and grey, not the sort of weather most tourists want to see when they come here, but it's still inviting - the lines are drawing us to walk along the path to the harbour wall and take in that sea air. And what view awaits us if we just walk a little further and see what's around the corner of the building?

In the flesh it has some lovely textures but I'm not sure what Vivien has used to achieve this - perhaps pen, pencil and charcoal? Whatever was used, it is a fabulous card and I love it - thank you Vivien!

Introducing Vivien Blackburn

sunset, Penwith, oil in sketchbook

I'm really looking forward to this postcard exchange with such a great group. Thank you for the invitation :>)

About me: I can't remember a time when I didn't draw - one of my earliest memories is, aged one, posting drawings (scribbles) to my father when he was in Gibraltar, looking for accomodation so that my mother and I could go out to join him.

In my youth I lived in some beautiful places including Cornwall, Malta and on the Moray Firth in the north of Scotland, so, though it may have scrambled my education a little, it almost certainly led to an early feeling for light and landscape.

I went to art college on leaving school, completed my Foundation Year, didn't continue on to the Diploma years - did a few different things - art was on a back burner - then married, had 2 daughters and didn't go back until they were at senior school. I then did my BA in Fine Art as a mature student. It's never too late :>)

This is some of my sketching, the first few are all Cornwall

Sam, evening, silver sea, watercolour/mixed media in sketchbook

Moorland Farm, Penwith, watercolour/mixed media in sketchbook

Lanyons Quoit, charcoal, in sketchbook

Someone commented earlier on about the clean neatness of Albrecht's sketchbook - mine are, I'm afraid, messy ones! I work in all sorts of media - oils, watercolours, lots of mixed media, charcoal, pastel, pencil, acrylic ..... etc etc etc- so loose oils may follow a detailed close up study of something in pencil in my books, followed by watercolour, mixed media, charcoal ,ink - anything goes.

Wild Day, Sennen Cove, oil


Approaching Rain, Mawgan Porth, charcoal and coloured pencil, in sketchbook

Charlestown, Cornwall, watercolour/mixed media, in sketchbook

I particularly like to paint or draw water - the Cornish coast has to be top of the list but canals, streams, rivers tool

Wild Day, Sennen Cove, pencil, in sketchbook analysing the movement of the waves

The Old Packhorse Bridge (very old), Aylestone Meadows, charcoal, in sketchbook

Frog Island, Leicester, in large A3 landscape sketchbook

I don't often do industrial landscapes. This is part of a series of sketches of local waterways that I intend to revisit.

Cardoon seedheads, in sketchbook, pencil

And .... sometimes it's nice to change scale and observe something closely. I found the spiky dry scales vs the fluffy insides of these cardoons fascinating to draw.

I unfortunately have arthritis and asthma. so my walking distance is limited but it is essential to keep moving so sketchercise is great as it will encourage me out walking, sketching and sharing the results :>)

I like to work plein air soaking up the atmosphere, feeling the wind. smelling the vegetation, getting the mood of the day and seeing the colours as the light changes - it is so much better than a photograph, fixing all this in my visual memory, the feelings, smells and memories come back when I look through old sketch books.

Well - my first postcard went out at the end of January so hopefully it's winging its way to Martin. And I'm really looking forward to the first one dropping through my door :>) and following the progress through the months.